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Articles and Reviews: Theatre
The Importance of Being Earnest
ByOscar Wilde
With a play as great as Wilde’s
The Importance Of Being Earnest, arguably
the most perfect comedy in the English language, it
is nigh on impossible to go wrong. As with the last
really worthwhile production at The Abbey, last spring’s
Six Characters In Search Of An Author by
Pirandello, such seminal texts would have to be subjected
to extremely unsympathetic design, direction and performances
before they could be rendered completely unwatchable.
Fortunately, the current rendering at the national
theatre suffers under no such constraints, and good
work from all concerned combines to make this an evening
of almost untrammelled joy for the audience.
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Francis O’Connor’s stage
set is as adventurous and bold as we have come to expect
from his best work, while Patrick Mason’s direction,
although perhaps going for the more obvious big laughs
at the expense of the subtle implications, at least
avoids the trap of doing everything like we’ve
heard it before, as when Rosaleen Linehan as Lady Bracknell
comes out with a much more muted and shocked ‘a
handbag’ than the imperious tone we have come
to associate with that utterance, courtesy of Dame Edith
Evans’ near definitive interpretation of the part.
Linehan shines as the old dragon, showing that there’s
more than one way to play Lady Bracknell, but the entire
cast scarcely puts a foot wrong. Dawn Bradfield as the
precocious Cecily, and Harry Towb as the shambling Chasuble,
are particularly memorable. This show will warm the
cockles of many hearts for the winter evenings to come,
and shows once again that, ultimately, ‘the play’s
the thing’.
First published in 46A
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