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Articles and Reviews: MUSIC
Gone Again
By Patti Smith
Without Patti Smith there would
have been no Debbie Harry, no Siouxie Sioux, maybe
even no Madonna. Her 1975 album Horses, followed up
by Radio Ethiopia and Easter, was a clarion call to
a generation, one of rock’s seminal achievements,
up there with The Velvet Underground And Nico and
Dylan’s Blood On The Tracks in terms of subsequent
influence and inspiration, particularly on the New
York avant garde punk scene. With only one album,
Wave, released in the interim since her retirement
to Detroit to become a wife and mother, Gone Again
is eagerly anticipated.
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Now 50 years of age, Smith is older
and wiser, and more mature, not always a bad thing in
a rocker, if they also happen to be an artist. Her experience
of death and bereavement, in the shape of her husband
and former MC5 guitarist Fred ‘Sonic’ Smith,
her photographer friend Robert Mapplethorpe, and her
brother and road manager Todd, has lent depth to her
work.
Gone Again is a gathering of old friends, with long
time collaborator Lenny Kaye producing and playing guitar,
John Cale, producer of Horses, appearing on one track,
‘Beneath The Southern Cross’, and former
boyfriend Tom Verlaine, of Television fame, contributing
to ‘Beneath The Southern Cross’, ‘Summer
Cannibals’, ‘Wing’ and ‘Fireflies’.
The title track and ‘Summer Cannibals’ were
co-written with Fred, and the album is dedicated to
his memory. Horses ended with a song called ‘Elegy’,
and Gone Again also ends with an elegy in the shape
of ‘Farewell Reel’, a simple valediction
by Smith to her husband, which she performs solo with
acoustic guitar, and which is almost unbearably moving
without ever becoming sentimental.
Gone Again is not Horses (Part 2), but saying that is
a bit like complaining that Proust only wrote one A
La Recherché Du Temps Perdu. Smith still beats
hell out of your current crop of rock chicks, your Holes
and your Bellys, who are only half her age, but not
even half as good.
First published in 46A
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