 |
|
| |
 |
Critical
Writings
-> Academic Journals -> Articles & Reviews
Articles and Reviews: MUSIC
From The Muddy Banks Of The Wishkah
By Nirvana
17 tracks culled from live performances
as far apart in time as December 1989 and January
1994, and in space as Rome and San Diego, From The
Muddy Banks Of The Wishkah is the new electric no-holes-barred
counterpart to the quieter tones of Unplugged In New
York, which was released in 1994 after mainman Kurt
Cobain had ‘joined that stupid club’,
as his mother so eloquently put it. Apparently the
remaining band members Krist Novoselic and Dave Grohl
found it too perturbing to edit the material until
recently, given their lingering trauma at the manner
of Cobain’s demise.
|
|
Back
|
|
 |
| |
So are Geffen flogging a dead horse,
cashing in on the fact that you can’t put your
arms around a memory, and on the mythology which has
built up around this disturbed young man since his suicide?
The answer is no. Nirvana were a great band at what
they did, Cobain a songwriter of considerable inventiveness.
For confirmed fan and casual observer alike, it is nice
to have a record of the more raucous extremes of their
live shows. From ‘Spank Thru’, their first
song, to ‘Heart-Shaped Box’, the last single,
from the catchy and familiar ‘Smells Like Teen
Spirit’, to the Beefheartian and convoluted ‘Milk
It’, this album is a primal scream from throat
and fretboard.
Of course it is tempting to speculate about how they
would have progressed if tragedy had not intervened,
but it is both easy and futile to play the game of ‘What
if..?’ Nirvana made music your parents wouldn’t
like, and so satisfied one of the chief criteria of
a successful rock band.
First published in 46A
|
|
|
|
|
Home
Biography
Fiction
Critical
Writings
Travel
Writings
Awards |
| |
|
|
|